» Aspen Workshop , June 28th, 2006
For the past few years I’ve been spending the last week of June up at the Anderson Ranch Art Complex in Snowmass/Aspen Colorado. The workshop takes on 9 artists - and we spend a week working with my Dynamic Abstraction process to work with programming to dynamically generate digital prints.
Bringing my Canon digital camera up to the ranch is an essential key in my own personal process. Much of the landscape and floral beds around the complex provide me with an opportunity to “rip” color out of nature. This color research / inspiration fuels new color tables that I’ll use throughout the year.

Here I take the above original photo and “save for web” which I then can select “GIF 32 No Dither” to have Photoshop begin to “AVERAGE” all of the colors within the image to 32 colors. From the “Color Table” preview I can begin to select and “trash” colors I want to eliminate from the color table.

Now you can do a few different things… You can go to flash and from the “color swatches” submenu you can select “add colors” and then simply point to the GIF to extract the colors from the GIF into your Flash file. I’m amazed that so many people don’t know that flash can do this.
Or you can do what I do, which is send our GIF to a PHP script that uses the GD Graphics Library to process the colors out of the color table to an array. Once I get the colors ripped to an array I can have Flash draw objects on the screen and then color those objects randomly from the colors sitting in the array. Kind of like a coloring book, but only with the colored crayons you select.
Here’s a sample of the colors ripped :


Colors used in Anderson Ranch 2006 workshop :

Test Layers :

Final Print :


[...] We decided to create 5 color palletes of approximately 17 colors each. We chose 4 beautiful undersea images, and also the banner image on the previous post. Then we began our color extraction process as described by Joshua Davis here. [...]
[...] in response {I’m sure out of complete fright of my version of reality} I received this link: from a “Joshua” posted to my blog! It made my day. So thank you Noah for posting that It doesn’t [...]
Hey Sarah - you can find information here : http://workshop.joshuadavis.com
Hiya my name is Sarah and im at my last year at my school and I am studying in art your work. I need to write all about you and use your images and make my own. I need some help with the information about you also can you give me some advice on how to use your images and make my own.
thank you
From Sarah
Hey there Joshua!!!
Saw you speak at spark 05 and have been a long time fan of your design. I was wondering if you could point me in the right direction in regards to one of your scripts.
Q: Is there a way to have multiple movies independently moving around the stage?
_root.movie_mc.onEnterFrame = function() {
if (_root.running && Math.abs(_root.marker_mc._x-this._x)
I am really excited about the class! see you there
Thanks for keeping your promise. This is a clever approach for isolating colors and building palettes, saving me time and frustration.
yes eric I had just finished the BMW project when I taught this workshop and I had tons of assets I had used in the making of the BMW print - and when I taught this workshop I used the BMW project as a reference when we started making prints.
the pink colors - we’re from photos I didn’t get off of my camera until after the workshop was over. and I’m actualy using the pinks in my new Moto RIZR wired mag AD which I’ll post the process of that soon.
it’s all process… flow - things flow into others - there’s no start and end - only mutation.
im bored here at college so i figured i would post. I see alot of simularities in this work as well as with your work with the bmw z4. Same illustrations and letters. I am also corious why you didnt use the colors you got from the flower to use in the final prints?
Im diggin’ the process alot.
eric
Hey Joshua, although I hadn’t ckecked out your most recent projects, I have been following your work since 1999. You have given me a lot of inspiration. Thank’s for sharing!
hey Eric - would love to have you come to the workshop… it’s best if you brush up on nothing… it’s much easier to start you at day 1 from scratch, since the process is very specific.
i am trying to get into the 2007 aspen ranch class in June, any suggestions on what to brush up on or pre-pare for before june? love your work for the krazer, i got to get one now.
–eric
Very good colour selection….
with a bit more tinkering RON - I don’t see why not. I don’t have anything right now - but I might search around on the net to see if anybody has an HEX to CMYK convert.
Now can you bring that swatch back into Illustrator? I like to be able to convert them to CMYK values if I need to.
Thanks again Joshua!
// Ron
thanks Sean!
–
right here Martin : http://colorstripping.joshuadavis.com
hi Joshua!, where I can find a system to rip colors from any image similar that you have ??
best
yo man you’re sick, flowers then to some sick shit love it.
thanks for the link… this actually works quite nice.
it does require to import - rip and then clean up the .GIF out of your stage/library if you’re a neat-freak like me… but still a nice little extension for sure.
you should read this article, its about a “…JSFL based Flash panel that will get the index colors of a gif that is selected on the stage and then write an array of the hex colors to the current timeline in a new layer…”
http://www.ilikegravity.com/real/archives/2005/11/i_suck_at_color.php